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P. T. Paul interview with Meg Tuite
Anything you want to share with our readers about the inspiration for this story?
Perhaps there’s no truer way to tell if you’re a poet or fiction writer than your response to Critical Theory class final paper assignments. By the middle of the semester, my mind was sore from juggling the various theories put forth by Barthes, Poulet, Foucault, et al, and I was dreaming that I had fallen down a rabbit hole into a world where books were alternately carnivorous, made of chocolate, or actual latent paper and ink Frankensteins awaiting the spark of the reader’s imagination. Thankfully, my professor had a sense of humor, or I might still be in graduate school.
Do you have a specific writing schedule that you adhere to and/or any tricks that help you, that might useful to our readers?
A long time ago, I gave my inner child permission to address all issues creative, and to let me know when my conscious participation was required. I have difficulty adhering to any sort of schedule, and if I knew any tricks I would be traveling with the circus right now.
What are you reading at this time?
At the moment, I am reading “blink” by Malcolm Gladwell, “Poets on Teaching” edited by Joshua Marie Wilkinson, the latest edition of “Writers Digest,” and am looking longingly at “Geek Love” by Katherine Dunn, but if I have to stop and look up a word, I will be lost in the Oxford English Dictionary until someone realizes I am missing.
Name the top two or three most influential writers in your reading life and maybe a note on why.
William Shakespeare for introducing me to word constructs. (I was only ten – it blew my mind.) Isaac Asimov for pointing out where Shakespeare got it wrong. Lillian Smith for explaining to me why Southerners are schizophrenic. Piers Anthony for creating one of the most innocuous monsters ever conceived. James Dickey for showing me that a poet can write damn fine prose.
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