
We have some wonderful poets to share with you in our May column. We begin with our featured poet, Sarah A. Chavez, with four poems and an interview. Sarah’s poems are emotionally resonant, merging the past and present with a sense of a loss. In her interview, she discusses the epistolary poem as well as the urgency of communication, and how and where we establish boundaries in our lives.

Emily Rodoni’s selection of poems identifies some of life’s most complex and compelling experiences, like the mother and the sick child in the poem, “Transfusion.” Emily does not run or hide from the painful emotionality of losing loved ones. Instead, Emily speeds towards it, with such rare and precise language that does not exploit sentimentality; rather, Emily flexes her poetic muscle, and uses image, cadence, and metaphor to narrate each poem.
The lines in Tim Lynch’s poems are brilliantly packed with stark imagery and rhetoric that rival poems like John Ashberry’s, “Instructional Manual.” The density in these poems has been constructed with such lyrical and narrative intensity that you will appreciate the craft just as much as you’ll be moved by the content. Listen to the wise, and yet, nuanced poet tell you his stories.
Andrew Hemmert’s poem, “Sportsman,” depicts one of the most intimate and most horrifying collisions of man and nature. This poem explores the dangerous relationship between a hunter and an alligator, and will make you question who is the real beast.
Catherine Strisik also shares her work with us this month. In the poem, "In Late Afternoon Gold Each," a woman composes herself while aware of the history of her physical composition, including her "startled heartbeat" and her "burrowed beauty." What turns her beautiful is "the mere mention of - / 'wolf.'" The speaker chronicles each moment, as well as those that connect with her past, so that the poem merges past and present as it moves towards a stunning image.
And lastly, though in many parts of the country Spring flourishes, some of our states can’t say goodbye to winter. Lena Kalaf Tuffaha's poem "Between Storms" begins, "Descriptions of snow are all aspirational." However, Tuffaha’s poem is filled with the experience of snow rather than mere descriptions. There's the grandmother who recalls when as a girl she "mixed pomegranate syrup and sugar / and poured it on snow." The speaker's husband "dusts snow off the satellite dish." Snow is the landscape of this poem as the grandmother's eyesight weakens and "she senses the white expanse."
Thank you again for visiting our column. We appreciate your readership and hope you enjoy the beginning of summer!