Thursday Nov 14

Katie-Fallon.jpg It is my pleasure to introduce two talented young writers with bright futures: Patrick Link and Mika Rivera. Patrick and Mika were students in my undergraduate Creative Nonfiction course at Virginia Tech in the spring of 2009. Both submitted essays to the Norman Mailer College Writing Award for Creative Nonfiction, sponsored by the Norman Mailer Writers Colony and the National Council of Teachers of English, and both were selected as National Semifinalists, finishing in the top 3% of entries received.

What are the chances of two undergraduate students from the same workshop finishing in the top 3%, nationally?! I am so very proud of Mika and Patrick, and I feel honored to call them my students and my friends. I hope you enjoy their essays; remember their names, and look for more of their work in the future. - Katie Fallon, Creative Nonfiction Editor for Connotation Press.   

Patrick-Link.jpg Patrick Link is a native of Norfolk, Virginia, and is a senior at Virginia Tech, majoring in Psychology with a minor in Creative Writing. Beyond his graduation in May of 2010, he hopes to write more poetry and creative nonfiction, as well as devote at least a year to a full-time community service program. Besides writing, Patrick enjoys listening to an eclectic mix of music, walking through nature, and reading prose poetry. Also, he currently volunteers as a counselor at a crisis hotline, and is a teaching assistant in an environmental studies class.
 
 
 
Mika-Rivera.jpg Michelle (Mika) Rivera is from Chantilly, Virginia, and will graduate from Virginia Tech in December 2009 with a dual degree in Biology and English with a concentration in Professional Writing. She was a Norman Mailer College Writing Award for Nonfiction competition national semifinalist and hopes to continue writing fiction and creative nonfiction. Her passion for writing stems from her love for developing and getting to know characters, many of which are inspired by people she knows in everyday life.

 

 


 Freudian Schism, by Patric Link

1. Clumsy Tourist Viciously Attacked by Hungry Tribesmen
 
I remember them beating their firsts into the outside of my makeshift cave like an African drum. They were almost singing, chanting “faggot” in harsh octaves of carelessness, of ignorance. And when the chanting subsided, I recall the cackle of tribesmen infected with the madness of power, with the glee of sacrificing someone’s life for the spiritual gain of another’s. I wanted to be in Africa at a tribal ritual. The lone tourist who fatefully stumbled into native village only to be bound by the limbs to a skewer and roasted over a steep bonfire. It would have been so right—cinematic and clichéd. But as much as I wanted my life to be a movie—an effortless plot shamelessly concluding when my one-time lover swung karate chops into the teeth of those renegades, holding and kissing me in a freeze frame that would go on for seconds, minutes—it wasn’t.
I was in the locker room of my high school, vibrating like the vocal cords of stuttered speech. A trash can was flung over my head suddenly and entombed my barely-living corpse. The darkness of the opaque trash-can drenched my vision as I felt the thump of empty spay-on deodorant cans on my skull. The boys were yelling and laughing with glee derived from scorn. When I heard the laughing mellow, I violently contorted my figure against the trashcan, battling it to let me see the fluorescent lights and the unfinished concrete. It was off; I dumped it onto the floor and listened to the booming thud it made upon contact. My pale face become flooded with three distinct shades: the red of a ripe apple’s embarrassment, the scarlet that cloaks letters of shame, and the pink hues of a blood’s livid rush to the surface of the skin. I stood still and looked over at the boy, David, who always changed next to me. His blue eyes were deep like mirages with concern but distance, and the corners of his lips were careless clouds floating off into the horizon. I could see in his locked vision what he was thinking: “There but for the grace of God go I.” I wanted him to say it; I wanted to choke him and make him gasp it up in coughs. But I remained still, finished dressing myself, and headed to class, my face embracing its neutral tone of beige for the first time.   
 
2. Shunners Anonymous
 
My lineage is rooted in a behavioral pattern that my mother and I affectionately call “shunning.” To shun is analogous to ordering a trade embargo. It’s a blockade on any communicational and emotional relations you may have with a person—an ordinance of ignorance. My family is almost stuck in the era of Jane Austen, where obeying the social hierarchy of the family comes before our own happiness—that happiness must be constrained by genealogy. Those who chose to disobey either became shunned—or shun everyone else.
 
This trait only occurs on my mom’s side, of course, but I have always believed that I was allotted a disproportionate amount of her genes. I’ve already found instances four generations back when my family has partaken in the ritual response to displeasing behavior. Curiously, they all involve an uncle of mine. The first, and my favorite, is the case of Ignatius Donnelly, my great, great granduncle: the writer of Atlantis: The Antediluvian World, a politician, and an infamous Baconian theorist (surely you’ve heard of him—he does have a Wikipedia entry). By positing that the works of Shakespeare were actually written by Francis Bacon, he became shunned within his own literary community and was forced to publish under pseudonyms for some of his later works. Then, there’s my great uncle Harold, who was duly shunned by my family after he stabbed his third wife and was imprisoned. My grandmother still refuses to talk about it; my mom had to hear about it from the late crazy Aunt Mae. 
 
More recently, my uncle Jamie estranged himself from my family for a few years. I don’t know why. He decided to open up communication again when he was set to be married. We were all invited and the period of silence was over—maybe he wanted the presents. After that Catholic ceremony, it’s become a tradition for him to invite us to any ritualistic Catholic ceremony his family partakes in—and they’re the only context I ever see him in. I’ve been to the baptisms and communions of all his children, but I don’t think I’ve ever held a long conversation with him. I find this similar to when a criminal runs into a church and shouts “sanctuary”—the church becomes a holy place free of persecution and scorn. I did notice that he stopped sending me the obligatory birthday and Christmas cards. I guess I’d gotten too old for hand outs.
 
After I found out my father was cheating on my mother in high school, I shunned him. I got a copy of the keys to his bachelor pad and a copy of his work schedule, and for two years we rarely talked. I invited my friends over to help my dad drink the beer that was in his fridge; he occasionally called to complain about the vomit stains on the carpet. These days, I call him when I need my monthly allowance. I even found out from my cousin he was engaged to some woman before he informed me. I only received an invitation to his wedding this summer in Hawaii after I pointed out that there were no suitable witnesses to object to their institution, if they might see it appropriate.
 But it isn’t just my Dad that I shun—I shun friends, lovers, and friends who become lovers. When someone upsets me, when all I want to do is gouge their eyeballs out and sucker-punch them in the gut, I don’t. I pretend they don’t exist; I ignite the fireplace, reach deep into the public records of my brain, and chuck their birth certificates like paper airplanes into the flames. During this, I’m sitting on the leather sofa with my feet crossed on top of the cherry-stained coffee table, casually sipping a dirty martini with five, yes five, olives. Afterwards, I scatter the ashes everywhere, so I can still pan a room and find microscopic clues about the relationship we once had—the people they once were. At times, I felt filthy and shameful about this—when I encountered these ghosts, my shoulder muscles would tense, my lips would tighten and thin, and my eyes would over-analyze the painted brushstrokes on the wall. Fortunately, my most recent New Year’s resolution was to eliminate that bothersome “sense of shame.” It’s been fun so far.
 
3. A Word’s Worth
 
I can’t remember the first time someone called me a faggot. I do remember the first time I heard it. When I was in elementary school, I was obsessed with the singer Jewel. One song on the album was “Pieces of You.” During one verse she sings: “faggot, faggot, do you hate him? Because he’s pieces of you.” For a long time, I thought that faggot was the same thing as a maggot, until my best friend at the time, Michael, informed me otherwise.
 
“I can’t believe she says that word—it’s so bad!,” he exclaimed.
 
“What? Faggot? You mean like baby flies?”
 
“No, I don’t think you know what it means…” he said as his voice trailed off at the end with his eyes following. Later, he told me its true meaning. I still didn’t really understand until much later.
 
My real lesson in the power of a derogatory term happened in the sixth grade, when my mom, for the second and last time in my life ever, slapped me across the face. (The first time I pushed a shopping cart into her back and knocked her over at BJ’s Wholesale Club because of her less-than-willingness to buy me a box of three-thousand plastic straws. I think I deserved that one.) It involved a word, though different, that was equally filled with the compiling of decades of hate. I remember hearing the word , the “n-word,” everyday in conversations at my school. The guys who ran away from the security guards and walked through the halls like they were in knee-deep swamps incorporated it as part of their common vernacular. They scrawled it with knives on the metal sides of the mobile units. It wanted to burst from my mouth; my tongue was a pot of water on the stove about to boil over. That word was going to be the first drop to go. 
 
I was standing in my dining room, chatting with my mom when the that drop of water sizzled on the hot coil. She looked at me with the most stern expression; her face a brand new gargoyle with terrifying features embedded in rough stone.
 
“What did you just say?” she asked in the same tone that prosecutors have on detective shows when interrogating a suspect. I rushed for an alibi—anything.
 
“I said trigger…not nigger.” Oh God, I was one of those jackasses that forgot to read the fifth amendment before being brought in by the police. I should have asked for a lawyer. But it was too late, she was already stomping across the dining room on the wooden floors so hard that the cabinets full of delicate china rattled from the seismic waves of her footsteps. Right across the face. Pain. Tears. Apologies. Lesson learned. 
 
4. The One-Handed, One-Sided Showdown in the Stairwell
 
When I got punched in the face in the stairwell of my high school, the combination of sounds and pain that resulted still adheres to a severely aversive memory. It’s been imprinted onto my brain for years, and it shows no signs of dissipating quickly into the archives. It’s here to stay. Even the moments preceding and proceeding remain vivid: the social norms of the hallways, the classless characters of the public school system, and the minute details of the dreary decorations. 
 
Reflecting on the interior of my high school, the aesthetic qualities seem more and more contrasted. The hallways were a pasty, neutral shade sheeted with a clear coat of grime. The stairs had black glowing paint that reflected the fluorescent light too well. My school was a skunk that just spent a day somersaulting in the marshes. Sometimes it would smell that way too, when renegades would position stink bombs at the bottom of the stairwells, letting that stench rise like heat until some unfortunate janitor was asked to clean it up. Half-nostalgia about the interior design of my school always reminds me of the interesting norms one picked up by sheer experience, like how to avoid being trampled when a fight starts in the cafeteria, or how to pretend that you aren’t about to step on neon blue and black synthetic hair in the hallway. Those are hard, but the high-intensity rush of the staircases managed to put one or two freshmen into counseling every year.  
 
The stairwells are positioned in the four corners of the square main building. During class changes, they become heavily congested with two-thousand students. Proper navigation is crucial for survival up and down the snot-ridden rails to glide gracefully into the next floor. As a freshman from a single-story private school, I inadvertently took the immersion route to learning the rules of the stairwell:
 
One must merge into the stream properly, always in front of a person who looks lethargic yet friendly, with a smile hiding your contempt for physical assertion and other teenagers in general. Once in the stream, you must maintain a pace that keeps a one-inch distance in between you and the backpack of the person in front of you. Failure to maintain a constant pace could result in either a rear-impact collision (embarrassing), or a front impact collision where your head dents the backpack or back of a fellow traveler (scary). If you are going to talk, be sure you can maintain your rhythm while saying a few words to a friend. The stairwells are not for group meetings or excited hugs with a boyfriend. These things, as well as anything else that causes blockage in the arteries of the school, will result in: a fight, someone calling you a “freshman,” or at the least a curse word and an over-exaggerated mean expression.
I’d mastered the staircases; each step I took was deliberate and cold, my face muscles paralyzed by the psychological Botox I willed on my body every time I ascended or descended. I was good. I was really good. My stair climbing adventures all seem to meld together into a single experience, with the exception of one incident I had that would leave a bruise.
 
Everyday I would hike up to the fourth floor to Earth Science with Mrs. Allen. She was a puffy woman with a face ridden with blotchy red inconsistencies, a body figure often hidden under light denim shirts, and unkempt haired fried by the work of at-home bleaching kit.. Her curriculum seemed to bounce from one subject to the next , based on her interests and not on standardized tests, and she often would miss class because of some unavoidable major crisis (she would also take up whole class periods to talk about these crises). It was for these initial reasons upon which I built my unfounded diagnosis of alcoholism. I was surprised when she embraced me, the crying freshman, so tenderly. She transformed from teacher to counselor—perhaps she had been trained for these situations, maybe it stemmed from her maternal instinct, or maybe she pretended I was wine bottle that had been just uncorked, ready for consumption.
 
After middle school, I had completely cut out crying from my life. Crying was a sign of weakness; the first time one of my tormentors saw a saline drop form in my eye—it was over. They had no need for celebration, for my grief was their battle cry. For this reason only, after an anonymous figure’s hand made direct impact with my upper cheek bone, I paused and remained steady. We’d both broken the rules of the staircase—he by randomly punching me in the hallway and yelling “fag,” and me standing still for just seconds as the pain set in. The sound rang in my head the way it does when earphones slap against your ears forcefully. That vertigo-like vibration rang on like thousands of bells, and when it faded, I proceeded to go up the stairs and to the doorframe of the classroom. My lips were a flipped half-pipe, and when I made eye-contact with Mrs. Allen, the tears streamed down it quickly, like miniature snowboarders on a final run.
 
She gathered me in her arms and led me down to 205 (the infamous security office) to file an incident report. I sat in the dean’s office, and I think he assumed I was there because of my failure to abide by school rule, as most students who sat in that chair probably were. I wrote down all that happened and I placed it on his desk, my hand shaking from the adrenaline and the fear that held over from the incident. He looked at it and ignored it, and we waited in his office until I had the nerve to speak up.
 
“Am I free to go now?” I asked, trembling at the hands of an unforgiving authority figure.
 
“That depends,” he said and he motioned for his assistant to come in his office and summarize what I had just wrote down.
 
“Some kid sucker-punched him in the stairwell,” she responded dutifully.
 
“Oh, you can go,” he said casually. He had bigger issues to conquer; things that didn’t involve completely senseless acts of violence.
 
5. The Two Faces of Patrick David Link
 
After my one year stint in rehab, the paparazzi hounded me so much that my house became my prison. No. Wrong story.
 
I’m not much for Freudian psychology--too mired down in non-scientific theory, too controlled by the whims of a mind destined for the fame of Sigmund himself. However, I do like performing my own bastardized form of psychoanalysis on myself, relating the incidents of the past (not-quite-childhood) to some deep-seeded fake psychological disorder that I may have. And from this obsession, I have come to terms with my own dissociative identity disorder, also known as multiple personality disorder.
 
A rugged lumberjack has taken his axe to the stump of my mind, and perfectly split it down the middle. People who have known me for years know that there are two of me, one named Paddy and the other Patrick.
Patrick is the person who you initially meet that states in an ambiguous manner everything about himself, if he does state anything at all. He wants to remain neutral and is often initially perceived as overly defensive and aloof in large social situations, like the first class or a sober party. He wants to remain off everyone’s radar as a soul whose purpose is only to live and exist. His voice deepens unconsciously on the phone when you’re speaking with him, and when he forces himself to speak up in a group of large people. At times, he is impervious to others’ thoughts, and then suddenly they permeate the thick skin of his core and contuse his heart. He’s a soldier on the front lines, not quite knowing his battle or where it will be, even afraid and often apprehensive, but that knows he must fight.
 
Paddy is the younger boy who loves chatting about anything and everything. He wants human contact. He wants a clear sense of style; he wants to glean anything that Patrick might leave behind. He’ll talk to someone for hours and try to be humorous as often as possible, often bursting full of energy like a crushed grape at the sight of a close friend. He’s unafraid of his sexuality, of his sexual orientation, and willing to press forward into a new life of independence. More than likely, if he and Patrick ever came face to face, Paddy might murder him for all the failed social situations and other growth inhibiting lessons—but could also be too afraid to lose the fortification of the stonewall that he provides.
 
I’d like to consider, perhaps, that the four causes of my “disorder” are linked to the stories preceding. I’m afraid to be whole because of the implications that it may have; I don’t want to be attacked again by those angered by my tendencies and biological roots. Twice was enough--too often was I the victim when I’d have much rather been the bystander looking on with careless abandon. But I wasn’t just in fear of people, I was in fear of the sheer stigma that my identity has been soaked in for decades. Words hurt—they’re linked inextricably to emotions and notions and hate. And what’s the behavioral response that has been ingrained in my genes since birth? Shunning. So what do I do when I’m angry, upset, or even scared? I shun; I’ve shunned my own identity and pressed it deep into my psyche, so that only those willing to retrieve it—to become familiar with me, to know me deeper than the marble face I polish for public display—are allowed to see it.
 
The implications of this disorder are too broad to list, and they’re not all negative. It’s purely a defensive barrier that slowly layered its brick and mortar over time. But perhaps some day I can be whole like the Patrick I knew in elementary school. The youthful pretentious little man who knew how to open up at just the right time. Having an outer shell like Patrick only protects me from slanderous thoughts and forces Paddy to retreat back into a cell too small and too solitary. But with just Paddy around, the world would become a circus of absurdities and youthful glee, and a verbal filter would be lacking when its needed the most. If only I could take a pill to meld the two together, keeping with me some armor to protect me from malicious intent, but with the highly intrinsic social capabilities that will allow me to develop socially and romantically. I’m trying but Patrick is a sturdy bastard who’s too heavy for me to move on my own; Paddy’s too playful to get anything done around here.
 

Goodbye and Goodnight, by Mika Rivera

 
When he cheats, it is summer. He is in the Philippines for vacation, and you are at home with the rest of the family, waiting for your turn to join him a week later. When you find out, it is nearing the fall. He is hung over from last night’s family dinner and walking down the steps past the closed door of your room to leave without a goodbye as Mom screams. After he leaves, it is silent.
 
You are sitting against the headboard of your bed as your younger brother Frank paces a trail on the carpet of your room, consumed with hurt and anger, the kind that would flare up over the years and fall back to a simmer, and now you know about the match that always lit the fire. It has been lit three times, but this is the first that you are aware of, the first you are able to feel the impact of, and it is the first time you can find blame in your father.
 
The day you find out is also the morning of your uncle’s funeral. A day and night at the hospital and a week later, you are blind from the sunlight with a face stiff and stretched from dry tears. You are happy to see Uncle Chad’s friends, his family, his mentors and guardians, and you know he’s gone because he is not here to enjoy them all coming together for him.
 
You are guilty because everyone asks you where your dad is, and you tell them you don’t know, that he isn’t feeling well, that he might be coming later, but you don’t know. You are guilty because you lied in church that day, over and over and over, and you are guilty because you would probably lie again.
 
When it’s your turn to read a passage Grandma Betty picked from the Bible, her favorite book, you hope you do the words she shares with God justice, because your faith has been shaken, and you hope hers will find a way to steady you in its place. You walk to the front to stand center stage, and you stumble on the second line, and you laugh into the microphone, and the rest is pie. But that relief only lasts for a moment.
 
When Uncle Jondi reads the eulogy, he thanks everyone in the family individually for helping Uncle Chad—you he thanks for love, Frank he thanks for support, your Dad he thanks for patience. When Uncle Jondi reads the eulogy, your brother is eighteen years old, and he is crying hard enough to make his shoulders shake and jump with hiccups he can’t control, and it pulls and jerks tears out of you again, again, again. Three times just this morning, but you promise yourself that this is the last time you will cry today. You reach out to hold his hand, and he squeezes yours hard enough to hurt. He turns to look at you while everyone else’s heads are bowed in grief, and his eyes are raised in anger. You squeeze his hand back.
 
Everyone retreats to the plot where Uncle Chad will be buried beside his father, and there are birds chirping, bees buzzing, flowers in full bloom, and it’s such a cliché of a nice day that it’s almost funny. Everyone is sad today, but they are smiling.
 
“He’s probably running,” says Aunt Carisse, the second of the six siblings that Mom and Uncle Chad belong to. “I can see him walking and running and with Papa.” It makes everyone smile harder.
 
Uncle Chad had been diagnosed with Wilson’s Disease when he was fourteen years old and was bedridden soon after. This disease is a rare, inherited disorder in which copper builds up in the body and eventually leads to eye, kidney, and brain damage. Because there wasn’t a treatment yet when Uncle Chad had been diagnosed as a teenager, the accumulation of copper in his body from birth affected him quickly and could not yet be reversed. He lost the ability to speak, could barely move, but he could always smile and laugh. He was the eldest of your mom’s siblings. He lived in the Philippines until he was forty seven, when the family was finally able to file all the proper papers and pay all the right people to bring him home to the U.S. He waited until everyone in the family got back from their separate family vacations that summer to be with him at forty nine, as he lied sick in the hospital before his breathing slowed, his eyes closed, and he passed away.
 
Aunt Carisse held his hand as he passed, and Uncle George, the youngest, cried without shame. He too has Wilson’s disease, the youngest sibling like a reflection of the eldest, but his condition peaked when a treatment was secure.
 
“Chady, can you come scare my wife as a ghost?” Uncle George joked, face and voice blurred by a curtain of tears.
 
“You can come scare me,” said Aunt Carisse, patting Uncle George’s shoulder. “Bring Papa!”
 
When they place Uncle Chad’s urn into the ground, everyone sings the fight song of Ataneo, the Filipino high school and college that everyone on your Mom’s side of the family attended. Fly high, blue eagle, fly and carry our cry across the sky. And everyone thinks about how your uncle Chad is finally at peace while you think about your Dad who left this morning without saying goodbye, who isn’t standing here with you and all the family for a different kind of goodbye.
 
+++++
 
On the night of Uncle Chad’s novena vigil a week after the funeral, there are columns of smoke raised in unison toward the sky. His siblings socialize as they smoke, siblings who’ve been breathing in the same air and toxic chemicals since they were all in high school. They talk about God with unshakable faith; they talk about their just passed brother Chad and the beautiful reception; they talk about relationships and cheating and forgiveness.
 
“Can you imagine Chad talking? Walking?” Carisse asks, still trying to imagine what was impossible. She juts her chin out and purses her lips upwards as she exhales a puff.
 
George, the youngest, drops his head under the cloud of smoke he’s just released and scuffs his foot. “I don’t like this,” he says.
 
Jondi, the only one of them never to have smoked, claps a hand on his brother’s shoulder even as he tilts his face away from the smoke.
 
George is overcome with sadness again, like he was in the hospital when they all gathered around the bed to be with their brother in his last moments. He had cried unabashed, without shame, and without restraint. Jondi had held his shoulder like he does now, as George begged for Chady-boy to stay, don’t go, don’t leave. And you remember that; it’s something you won’t forget, because in the midst of his pleas and the flat-lining beep of the heart monitor and the whispered words of consolation, the room was silent because of its emptiness.
 
Rita sighs and blows her breath in the other direction. “He’s happy now. His body only restricted him here. Can you imagine living for forty nine years trapped inside a body that can’t move? Can’t allow you to speak?”
 
Mom doesn’t tilt her head away in the fog of gray her siblings create, just stands there with her arms folded across her chest to keep in a bit of warmth in the summer night air. Her expression doesn’t give away any subtle denotation of desire for a cigarette; she is fifteen years plus strong, but you can still clearly remember now at twenty one a time when the backyard of your old townhome was littered with beige butts.
 
Out of nowhere, it seems like, Rita says, “Are you leaving him?”
 
They turn in unison toward Mom, faces blank but eyes cloudy with thoughts that are carefully devoid of judgment, because they grew up together, knew everything about one another, loved each other unconditionally, and always, always stood in solidarity over any feelings that would break that family-forged bond.
 
Your own face is directed steadily ahead into the darkness of the back yard. You sit there, a silent shadow at the bottom of the balcony’s steps watching the younger kids run around and tumble in the grass.
 
“No,” Mom says. “He’s leaving. I’m helping him find a place.”
 
You know this already. You talked about her plan and her stance on the situation on the ride back from the burial plot to the reception, but Dad is having trouble finding a new place to live. He is stuck in limbo at Grandma Tessie’s house, sitting alone in the dark of her basement, uncomfortable on plush and squishy couches, cold beside the electric fireplace. He is stressed and tense when he’s taken off work, and he’s lonely with his mom and step-dad wandering softly around their own home as if they have to sneak around to make extra room for him and the presence of his mistakes.
“Do you know what you’re going to do?” That’s Uncle Jondi, trying to stay detached because otherwise he’d break the whole of their ring of siblings into little fragments of anger and hate and frustration.
 
“No,” Mom says, and it’s almost like defiance.
 
+++++
 
Before you, your mom and Frank went to the novena vigil, Dad rode his motorcycle to meet you during the day while Mom was at work. He showed up at the door after a text asking if you’d mind if he came by. He said he texted Mom to see if it was OK, and she said yes, and of course you said yes too. Then Mom called you and told you in a wavering voice that she can’t deny him a visit to his own home and daughter, God, but please just make him leave before she gets home from work at 5:30 p.m.
 
Your brother Frank left after you told him Dad was coming over. Frank said he couldn’t see that motherfucker without wanting to punch him in the face, and you told him to be quiet if he was just going to swear at you. With three years more experience, you thought you still held a certain authority he would abide by, but he usually rebelled against it instead. He laughed condescendingly and asked, “How can you let that asshole come here, to our house?” You said, “It’s his house too. He’s paying for it. And he’s our dad.” And Frank said, “He’s not mine, not anymore.” Then he walked out.
 
You didn’t cry alone in your house waiting for your Dad to show up in the vacuum he created because he would be here soon, and you were surprised to find that you were supposed to be the strong one. It was like standing on an empty path that has been cleared by a natural disaster, but it’s anything but natural for all that it has wreaked disaster. It has turned Dad into a wavering shadow, Mom into a helpless, tangled mess, Frank into a firecracker with sparks escaping in an array of anger and hate, and you into a median, trying to keep apart yet somehow find a way to align the cars about to crash on either side of you together in the same direction again.
 
Dad didn’t take his car because he’s hoping to sell it. He needs to if he’s going to get a place of his own around here because apartments and new lives don’t come cheap. He rang the doorbell like a guest, waited for you to step to the side and tell him to come in.
 
“Where’s Frank?” he asked, looking around as if your brother was hiding in one of the corners.
 
“Out with friends,” you said, and you both knew that your words were half a merciful lie. He nodded, took a seat on the couch, tilted his head all the way back so that his Adam’s apple protruded from the front of his neck, and you thought he looked so vulnerable like that. You watched him swallow a few times, his Adam’s apple bobbing, and you watched his face, and you saw tears leaking out from the sides of his sunglasses, which he had yet to take off.
You were kind of glad because you didn’t want to see the eyes behind those reflections of yourself in shadowed lenses. Yesterday, when you visited him at Grandma’s, he looked just like this. A lone figure in a dark basement, his body sprawled but tense with his head titled back. But without sunglasses on, his eyes were red-veined and seeping from the sides, and he looked like he does after drinking too much or after playing tennis, which you learned not too long ago is code sometimes for getting high with your uncle.
 
“I want to come home,” he said, voice a defeated exhalation of breath.
 
“I know,” you replied, deliberately light in the face of all things grave. “You don’t like staying at places other than your house. Even if the hotels are five-star, Mr. Hotshot.”
 
He pretended to smile. “Is your mom OK?” he asked.
 
“Yeah,” you said, but she wasn’t.
 
She talked to you late last night because she didn’t know how to sleep without him in the same bed and without his late night TV shows lulling her to sleep—because she was afraid of the silence of night time when people feel most alone. She talked about being lonely for the rest of her life and afraid. She talked about not having any more adventures because he’s the one who likes to do new things, likes to go to new places, likes to take vacations. She talked about how she thought he’d easily find someone else, because he’s the young-looking one, the charismatic one, the athletic one, the partier and the drinker and the smoker. She talked about how she’s quiet and loves her family and loves to stay home and loves her dog and how she doesn’t want anyone else. And you sat there and let her hug you and let her cry, and you pretended that this wasn’t the worst moment in your life, seeing the future she saw for herself without your father.
 
She told you what you had only found out from Frank on the morning of Uncle Chad’s funeral and the day Dad left—Frank told you what he had always known, what Mom had always known, and what you had always been protected from. She told you it has happened before, two other times, and she hid it from you and your brother because you were kids, and she didn’t want to bring you into it. But you’re old enough now, she said, you’re old enough to maybe understand, and she was thankful that you were here, and that you were also with your father because he needed you too. And she told you that she just couldn’t take it anymore. She said it wasn’t fair.
And for a brief moment, you hated him, your best friend and protector, because sometimes he’s just so stupid. You know, you just know that he doesn’t love that other woman. He later told you that she was a mistake, said he was flattered that she was interested in him, and you know that he did it because he’s been going through his mid-life crisis since he was twenty years old, one of those quirks of his that you think you’ve already inherited. He feels trapped in an older body that can no longer competitively play basketball or tennis due to knee injuries, caged within the confines of a life full of responsibility and accountability, stuck in a routine and a cycle that he feels he suffocated by and cannot break. And though you can see this in the disappointment you can see that he tries to hide from you and from himself, you can’t understand how he could ruin everything good in his life for the sake of quenching, just for a moment, the dissatisfactions of everything wrong in his life.
 
He is like Uncle Chad in his restrictions—though his are seemingly psychological limitations he can’t surpass where Uncle Chad’s were physical. Uncle Chad was physically trapped within his own body at fourteen, kept stiff and still by copper flowing in his blood and overtaking his entire body. Your dad, however, still has the ability to go in new directions, physically, mentally, but it is his mind that keeps him as stiff and still as Uncle Chad, stuck in one place without a clear path in sight to escape toward. The one direction he did take was possibly the only one he could take wrong.
 
And despite the similarity in you both—the one that was born from seeing his regrets and finding a parallel in your desire and his desire to stay young and to have opportunities and to do new things—you can’t ever do what he’s done, especially not at the point in his life in which he’s done it. You can’t see yourself throwing the things you value away, can’t understand how something like that could be called an accident, can’t even imagine that something like that could happen without the consequences somewhere in your mind, and you can’t possibly fathom tossing away the thought of those consequences in the face of something that is flattering.
You know it was a mistake because he is like a child; he seems like the youngest in your immediate family—like Frank in his love for drinking and smoking and taking sick days from work to sit on the couch and watch TV or play sports or video games. He’s like you in how he likes to stay out and up until the morning, out with friends and making a fool of himself. And he’s young for his age with his motorcycle and his pot stash and his juvenile jokes and his knowledge of all things new and upcoming.
 
You know it’s a mistake because how could he want to alienate his own son, hurt his wife, force his daughter to hold it together because this is all she has, and it can’t fall apart or there won’t be anything left to come back to. When the school day is over, when weekend trips away with friends are done, when soccer practice is an hour past, where will her roots find familiar soil she knows she can rely on if there’s nowhere else to go?
It’s as if you blinked, and suddenly you could see the man he was, the man he wanted to be, and how that gap between the two made him lose his sense of self because he couldn’t find a way to cross that divide.
But you didn’t say anything. You took a seat on the arm of the couch, patted his shoulder, and asked if he wanted to eat leftovers. Mom cooked dinner last night, and he loves Mom’s food. And it was so sad that he seemed to be like a guest in his own home, that he felt like he was mooching food from the refrigerator he stocked just two weekends ago, felt lonely even with you sitting right beside him.
“Can I just take a short nap, Mik? I’ll leave before your mom gets home.” You pretended you didn’t hear his voice crack, and you knew he wanted to close his eyes and not speak because he couldn’t without his voice breaking like this.
 
“Sure, I might also, on the other couch. I’m tired too,” you said, because you knew he was asking for your company and a moment’s peace in his home where he was now just a visitor.
And you went to the other couch to lie down, to close your eyes because you didn’t know if he was watching you through his sunglasses. But you weren’t tired, not a bit. Last night at three thirty in the morning after Mom said she thought she could finally fall asleep, you stayed awake and pretended to read a book, because although didn’t want to hear her crying through the door you left open, you wanted her to see the light from your room down the hall and know she’s not the only one awake. And when she left for work, you slept the day away until your dad texted, asking to come over.
On the couch adjacent to him, you pretended to fall asleep immediately, because you knew your dad hadn’t been sleeping and couldn’t sleep a night through anywhere but in this house, and if you were out like a light, then maybe he would be too.
 
Then maybe there would be a different kind of quiet, one less like silence than like peace, one less like goodbye than like goodnight.